Makita wilbur biography of michael
Matika Wilbur
Native American photographer and educator
Matika Wilbur (born ), is a Native American photographer and educator from Washington state.[2] She is an enrolled citizen of the Tulalip Tribes of Washington and a descendant of the Swinomish people.[1] She is best known for her photography project, Project
Early life and education
Matika Lorraine Wilbur was born on April 28, Her Native name is Tsa-Tsiq, meaning "She Who Teaches."[2] She grew up in La Conner, Washington, where she was raised in a family of commercial fishermen, and graduated from La Conner High School.[3] She received her bachelor's degree from the Brooks Institute of Photography in
Career
After receiving her degree from the Brooks Institute of Photography, Wilbur began her career within the fashion industry and commercial work. Wilbur realized that these industries did not spark her interest and decided to choose a different route as a photographer.
Wilbur also received her teaching certification and worked in primary education at The Tulalip Heritage High School [4] for 5 years. There, she experienced firsthand the lack of educational resources to provide Native youths with positive imagery and understanding.
Photography
Wilbur's three initial photographic projects include We Are One People, a photograph collection of Coast Salish elders; We Emerge, a photograph collection of Native people in contemporary settings, and Save the Indian and Kill the Man, a collection of Native youth expressing their identities.[5] Her other work includes "iHuman", presenting images interwoven with cedar bark.[6][7]
"All Alone"[8] is a project that addresses the cultural assimilation of Native Americans between the –
"iHuman"[8] is a cultural project that represents the cultural dualism that Native Americans live upon.
The artist specializes in hand-tinted, black-and-white silver gelatin prints.[3] She plans on publishing a book about her photography.[9]
Project
Main article: Project
Project is Wilbur's fourth major project to document contemporary Indigenous peoples, with the goal of photographing members of all US tribes on their tribal lands.[3] Wilbur started "Project " as a photographic series in She began traveling across the United States in November of that year; she raised over $35, for her expenses in a Kickstarter campaign.[10] She has since traveled , miles in her work to photograph indigenous people.[11]
The title of the project refers to the number of Indigenous North American tribes officially recognized by the United States at the time Wilbur began the work. That number has since changed, reflecting the ongoing legal efforts of individual tribes to regain legal status after the decimation of tribal status under the United States Termination policy. Wilbur notes that her grandmother came to her in a dream suggesting she do this work.[citation needed] She works collaboratively with tribal leaders and members to create the photographs.[12] Wilbur conceives of Project as an answer to Edward Curtis' photographs, a century earlier, of Indigenous Americans. Curtis took over 40, photographs of 80 tribes.[13]
Podcast
Wilbur also hosts the podcast "All My Relations" with Adrienne Keene. The podcast's purpose is "to explore our relationships— relationships to land, to our creatural relatives, and to one another. Each episode invites guests to delve into a different topic facing Native peoples today as we keep it real, play games, laugh a lot, and even cry sometimes".[14]
Selected exhibitions
- Photographic Presence and Contemporary Indians: Matika Wilbur's Project , Tacoma Art Museum, Washington[15]
- – As We See It: Contemporary Native American Photographers, Yekaterinburg Museum of Fine Arts, Ekaterinburg, Russia; The Fifth Biennial of Contemporary Photography; Novosibirsk State Art Museum, Novosibirsk, Russia;[16] ARTS, Albuquerque, NM[17]
- Seed of Culture: The Portraits and Stories of Native American Women, Radcliffe Institute at Harvard University[18]
- March 13 - June 13, Whatcom Museum: Seeds of Culture, Bellingham, WA[19]
- October, - January, El Segundo Museum of Art Matriarchs Exhibition,[20] El Segundo, CA
- November, - December, Anne Kittrell Art Gallery,[21] Project , Campus Collection Series, Fayetteville, AR
References
- ^ ab"Matika Wilbur (Swinomish and Tulalip)". Photoville. Retrieved 18 September
- ^ abBlock, Melissa (April 28, ). "Photographer's decade-long, ,mile journey shows Indigenous life in new book". The Picture Show. NPR. Retrieved 18 September
- ^ abcGlazier, Garen (31 May ). "Matika Wilbur". NSL: North Sound Life. Retrieved 26 August
- ^"Matika Wilbur Photography". . Retrieved
- ^Walker, Richard (). "Photographer Matika Wilbur's Three-Year, Tribe Adventure". Indian Country Today Media Network.
- ^"Blog - Project A Photo Project by Matika Wilbur documenting Native America". . Retrieved
- ^"Matika Wilbur". . Retrieved 10 February
- ^ abWilbur, Matika. "Portfolio".
- ^"How Matika Wilbur Shows Native Americans Through a Different Lens". Retrieved
- ^Richardson, Whitney (19 February ). "Rejecting Stereotypes, Photographing 'Real' Indians". Retrieved
- ^Isler, Hilal (). "One woman's mission to photograph every Native American tribe in the US". the Guardian. Retrieved
- ^Raymond, Claire (). Women Photographers and Feminist Aesthetics. doi/ ISBN.
- ^Egan, Timothy (). Short Nights of the Shadow Catcher. Boston: Mariner Books. p. ISBN.
- ^"All My Relations | HOME". All My Relations. Retrieved
- ^"Photographic Presence and Contemporary Indians: Matika Wilbur's Project ". Tacoma Art Museum. Retrieved 26 August
- ^"Tom Jones". Art Department Faculty Quadrennial Exhibition. Chazen Museum of Art. p. Retrieved 26 August
- ^"As We See It: Contemporary Native American Photographers". ARTS. Retrieved 26 August
- ^"Seeds of Culture: The Portraits and Stories of Native American Women". Racliffe Institute for Advanced Study. Harvard University. Retrieved 27 August
- ^"WhatCom Museum".
- ^"El Segundo Museum of Art".
- ^"Anne Kittrell Art Gallery".